Sermon Series Artwork • Trinity Church Denver • September 2019
Trinity’s Romans series puts the world in context of the rule of God, demonstrating that His order and rule is its good, bringing chaos into peace. There’s surely more to it than that, but that’s what I remember most!
They wanted the piece to be historical and cosmic, so we edited and composited two photos and added some geometry (as we love to do). The original photo from Cathedral Basilica of St. John in Hungary is by Viktor Forgacs, and the blurry stars are by Fonsi Fernández.
Sermon Series Artwork • Park Church • January 2019
Illustration by Christian Robinson.
In 2018, we worked with Christian Robinson for Park Church’s Genesis series. The response was such that deciding to work with him for the follow-up series, Exodus, was easy.
The two main pieces symbolize two of the main narrative arcs of Exodus: Part I depicts man-made mountains (the pyramids), stalks of wheat (representing Israel’s brick-making slavery), an eagle flying overhead (Ra, or the perceived dominion of Egypt’s gods), and the road out. Part II depict the mountain of God which He Himself made (Sinai), the glory coming down on the mountain, and Mosts holding the tablets and his staff.
Part III depicts the crossing of the red sea, and serves as a “bridge” between parts I and II, illustrating the climax of the story and the penultimate moment of Israel’s rescue by Yahweh.
To display the artwork, we printed Parts I and II on 4×8 foot sheets of birch to hang in the Park Church sanctuary (see photos below). We also printed Part III on a 6×4 foot birch panel to be displayed in the lobby.
Sermon Series Artwork • The Oaks Church • August 2019
Although we tried several other fun art ideas for The Oaks Church’s vision series, we would up clean and shiny. The subtle gradients are what made us proud of the final, but we also wanted you to see some rejected ideas… (Awesome bowling picture by Daniel Alvarez Sanchez Diaz.)
Sermon Series Artwork • Trinity Church Denver • January 2019
Illustrated by Bruce Butler.
An inky watercolor, floral typography by our dear friend Bruce demonstrates the beauty and drama of the beginning of time as discussed in Trinity Church’s series on Genesis.
Event Artwork • Trinity Church Denver • September 2018
Similar to Summer at Trinity, this artwork for Trinity Church Denver works to tie together a series of events for the season of fall. The focus of those events is a deepened, rooted community. To depict this, we used the imagery of a campfire. Yes that’s a really “fall” thing to do, but we love how campfires symbolize a warm place to huddle together, sharing stories, food, beer, laughs.
Sermon Series Artwork • Park Church • September 2018
Oil painting and illustration by Benjamin Rogers.
One of our largest and most involved projects this summer was directing artwork for Ephesians at Park Church. We commissioned the incredible Benjamin Rogers to create an original piece for the series, and within the piece he placed several diversely-illustrated arguments from the Scripture. There’s too much of interest to share here—please see the artwork essay at parkchurchdenver.org to learn about all the goodness here!
On our end, we took photos of his artwork and created two 3×15′ banners and five 3×3′ wooden panels for the stage at Park Church, in addition to creating the logotype.
The complete, original painting and illustration
The five 3×3′ wooden panel prints
The two 3×15′ banners
The complete Park Church stage from the balcony, including the “Ephesians” logotype
Sermon Series Artwork • Trinity Church Denver • September 2018
In their fall series on the Ten Commandments, Trinity Church Denver is working to depict this familiar topic not as “rules that inhabit us,” but as a framework that gives us life because of the work of Christ. To argue this visually, we contrasted the traditional understanding of the Ten Commandments—rigid and lifeless stone—with an in-Christ understanding of bright, approachable, vivid life—the watercolor floral wreath. Additionally, since Christ is the key to enjoying a life under God’s good rules, we added a notch to the “T” as a pointer to the Rock cleft for us; the stone struck in the wilderness to give us life.
Event Artwork • Willow South Lake • August 2018
Willow South Lake takes a Sunday each year to celebrate the different cultures represented within its community through the avenue of food. This is awesome. This is our second year doing the artwork for the event. Looking through their demographic breakdown by country, we took flags from the countries represented in their church body and made them appear “painted” on the dinner plate in focus. Thanks to Christopher Jolly for the original image!
Sermon Series Artwork • Fellowship Denver Church • August 2018
Fellowship Denver is working through Romans 12 this August, exploring what a life of service informed by the Gospel looks like. In all their artwork, Fellowship has a unique, simple-geometric style that we love. Starting from that inspiration, we were shooting to communicate the link between the historic church and the modern church, almost to say, “This life of Gospel-service has always been who we are.”
The top hand symbolizes the historic church (in a first-century robe), while the bottom hand symbolizes the modern church (see the Apple Watch? If that’s too extra, try to just see a normal watch). The triangles around the outside of the work can symbolize two things: (1) the individual pieces that fit together in seemingly-random ways to make the whole (Rom. 12:4–5), and (2) a service informed by the Trinitarian God, whose three members eternally serve each other.
Sermon Series Artwork • The Heights Church • July 2018
Life on Mission at The Heights Church is a series exploring the teachings of Jesus on mission-living from the book of Matthew. We had three concepts for the series and loved all of them. The visual argument options are many when Jesus teaches with vivid metaphor after vivid metaphor—it was really fun. The piece we ended up with is this visualization of the one lost sheep apart from the other 99, whom the Good Shepherd spares no expense or effort to rescue (Matthew 18). The off-center positioning of the words and the shape of the rest of the “flock” draw an invisible diagonal line, working to move one’s eyes directionally from the flock to the missing sheep.